Blue Kicks Off 2005 with Kickball Mic
Newest edition to innovative line of Ball microphones now shipping for low frequency
applications
Westlake Village, CA, January 20th, 2005 – The first of many new products from Blue Microphones to ship in 2005 is
the Kickball, a new microphone in the unique and innovative line of spherical mics that is tailored to suit low
frequency applications such as kick drum and bass guitar.
The Kickball is the world’s second phantom-powered dynamic microphone, following in the footsteps of its trailblazing cousin,
the Ball. Designed to be punchy and detailed with a larger-than-life sound, the Kickball delivers an acoustic balance far superior
to conventional dynamic microphones. The back of the mic features a three-position bass frequency switch allowing three
distinct low-frequency equalization curves. This circuit is based on a unique active RC filter that attenuates sub-bass (below
20Hz) frequencies and contours the low end without any noticeable phase distortion.
Ideal for both stage and studio use, the Kickball can be used on virtually any instrument: kick drum, snare drum, tom toms,
electric bass, bass cabinets, and anywhere else you need a rugged mic that sounds unlike anything you’ve ever heard before.
And like any good kick drum microphone, the Kickball can withstand extremely high sound pressure levels.
Characteristics
• Three-position switch for controlled, normal or extended low-end response
• Class A discrete amplifier circuit
• Wide range of applications — studio and live use
• Unique swivel mount for optimal positioning
• Patented cutting-edge design and durable construction
Suggested Applications
Kick Drum, Floor Tom, Tympani, Large Percussion Instruments, Electric and Acoustic Bass, Live Use
Optional Accessories
• The RingerTM: Unique custom shockmount for our ball line of microphones or any mic with a standard thread mount
• Blueberry Cable: 22-AWG high-fidelity cable highlights neutral presence of the mic – extended high end frequency response
Technical Specifications
• Acoustical Operating Principal: Dynamic transducer with active Class A phantom-powered solid state circuitry
• Polar Pattern: Cardioid
• Frequency Range: 35Hz – 16kHz
• Sensitivity: 3.0mV/Pa at 1 kHz; 1Pa = 94dB SPL
• Rated Impedance: 50ohms
• Rated Load Impedance: 2kohms
• Maximum SPL: 162 dB SPL (2kohm load at 1% THD)
• Output Noise Level: 18dB-A
• Power Requirement: +48V DC phantom-power
• Power Consumption: 2.5 mA
The Kickball is now shipping at $149.00 MSRP.
Please visit www.bluemic.com for more information. For downloadable images visit:
http://bluemic.com/members/login/php (Username: dealers, Password: retail)
All trademarks and registered trademarks are property of their respective owners. © mtech marketing communications.
Newest edition to innovative line of Ball microphones now shipping for low frequency
applications
Westlake Village, CA, January 20th, 2005 – The first of many new products from Blue Microphones to ship in 2005 is
the Kickball, a new microphone in the unique and innovative line of spherical mics that is tailored to suit low
frequency applications such as kick drum and bass guitar.
The Kickball is the world’s second phantom-powered dynamic microphone, following in the footsteps of its trailblazing cousin,
the Ball. Designed to be punchy and detailed with a larger-than-life sound, the Kickball delivers an acoustic balance far superior
to conventional dynamic microphones. The back of the mic features a three-position bass frequency switch allowing three
distinct low-frequency equalization curves. This circuit is based on a unique active RC filter that attenuates sub-bass (below
20Hz) frequencies and contours the low end without any noticeable phase distortion.
Ideal for both stage and studio use, the Kickball can be used on virtually any instrument: kick drum, snare drum, tom toms,
electric bass, bass cabinets, and anywhere else you need a rugged mic that sounds unlike anything you’ve ever heard before.
And like any good kick drum microphone, the Kickball can withstand extremely high sound pressure levels.
Characteristics
• Three-position switch for controlled, normal or extended low-end response
• Class A discrete amplifier circuit
• Wide range of applications — studio and live use
• Unique swivel mount for optimal positioning
• Patented cutting-edge design and durable construction
Suggested Applications
Kick Drum, Floor Tom, Tympani, Large Percussion Instruments, Electric and Acoustic Bass, Live Use
Optional Accessories
• The RingerTM: Unique custom shockmount for our ball line of microphones or any mic with a standard thread mount
• Blueberry Cable: 22-AWG high-fidelity cable highlights neutral presence of the mic – extended high end frequency response
Technical Specifications
• Acoustical Operating Principal: Dynamic transducer with active Class A phantom-powered solid state circuitry
• Polar Pattern: Cardioid
• Frequency Range: 35Hz – 16kHz
• Sensitivity: 3.0mV/Pa at 1 kHz; 1Pa = 94dB SPL
• Rated Impedance: 50ohms
• Rated Load Impedance: 2kohms
• Maximum SPL: 162 dB SPL (2kohm load at 1% THD)
• Output Noise Level: 18dB-A
• Power Requirement: +48V DC phantom-power
• Power Consumption: 2.5 mA
The Kickball is now shipping at $149.00 MSRP.
Please visit www.bluemic.com for more information. For downloadable images visit:
http://bluemic.com/members/login/php (Username: dealers, Password: retail)
All trademarks and registered trademarks are property of their respective owners. © mtech marketing communications.
(Click picture for larger image)